简介：无感情向架空设定，请勿当真对其他团队纯友情向架空设定，平行宇宙一个团队，几个女孩，从地下室把高楼筑起社长为了孩子们能出道不得不和把公司卖给了别人五个女孩子并不被重视，出道早期专辑不向海外出售，不给成员们宣传回归，即使出道曲有了名声，公司担心危及其他女团的地位，却又想挣钱，但随着另一个组合爆火，公司将此时身患脑癌的队长劝退女孩们都很茫然，队长走后，年纪最大的仅成年，她们一下陷入低谷期为了完成自己的理想，和带着姐姐的那一份走到世界舞台，女主重振旗鼓，而身为忙内的女主（宫行素）和仅剩的其他三个女生（全有桥、裴庆延和川上鮟友）担起了原本姐姐的重任，承担作曲作词，从无到有一步一步建起所有。

1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean po...(展开全部)

1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean po...(展开全部)

"Pop internationalists" -- people who speak impressively about international trade while ignoring basic economics and misusing economic figures are the target of this collection of Paul Krugman's most recent essays. In the clear, readable, entertaining style that brought acclaim for his best-selling Age of Diminished Expectations, Krugman explains what real economic analysis is...(展开全部)

Pop Art refers to a post-war movement connecting art with popular culture. Billboard signs, comic books, and movie stars were just some of the subjects chosen by pop artists, such as Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, to name a few, to illustrate the contemporary world in which they lived. Largely characterized by bold and strident colors comb...(展开全部)

We have a problem with Stuff. With just 5 percent of the world’s population, we’re consuming 30 percent of the world’s resources and creating 30 percent of the world’s waste. If everyone consumed at U.S. rates, we would need three to five planets! This alarming fact drove Annie Leonard to create the Internet film sensation The Story of Stuff, which has been viewed over 10 mill...(展开全部)

We have a problem with Stuff. With just 5 percent of the world’s population, we’re consuming 30 percent of the world’s resources and creating 30 percent of the world’s waste. If everyone consumed at U.S. rates, we would need three to five planets! This alarming fact drove Annie Leonard to create the Internet film sensation The Story of Stuff, which has been viewed over 10 mill...(展开全部)

"The Google Story" (using logo) is the definitive account of one of the most remarable organizations of our time. Every day over sixty-four million people use Google in more than one hundred languages, running billions of searches for information on everything and anything. Through the creative use of cutting-edge technology and a series of groundbreaking business ideas, Google...(展开全部)